黑骏马读后感1

　　黑骏马读后感1500字

　　无意中看到了腾格尔的《黑骏马》，心里好难受啊!索米亚一个人承担所有的痛苦，为了孩子顽强的活下去，可是这个号称追求理想和文明的白音宝力格，在面对恶棍的时候，只会打架，而面对自己爱人的时候，却只会被动等待和逃避。就算不能认同奶奶和索米亚对肚里孩子的态度，也不应该扔下索米亚和奶奶跑掉吧!其其格生下来特别小，一定与索米亚孕后期精神压抑和营养不良有关!难道白音宝力格除了怨恨索米亚对孩子的态度和不满索米亚没有主动告诉自己被强奸受孕的事实，就不能像一个有担当的男人一样想想，如果自己走了索米亚和奶奶怎么办，就算不打算娶索米亚了，难道连奶奶也不管了!?这是什么男人?好吧，就算一时愤怒离家出走，过一阵子心情平静下来，就不想想索米亚现在如何了?奶奶现在如何了?就算不打算和索米亚结婚，也要尽对奶奶的孝道啊。这不是白音宝力格所向往的汉文明的核心么?只能说明这个男人太薄凉太没良心了!

　　只能说这位白音宝力格性情太薄凉了，只顾自己，心里没有别人!索米亚爱上这样的男人，真是不值!白音宝力格根本配不上索米亚，就算这位白音宝力格再有钱有地位，他精神的猥琐，连索米亚的丈夫都不如，更配不上索米亚这样的好女人!

　　真搞不懂，当初白音宝力格知道索米亚被强奸怀孕的时候，他到底希望索米亚怎么样?他希望索米亚亲自来解释，他希望索米亚对他说什么?他想听到什么?难道他想听到索米亚的哭泣和忏悔，难道他觉得索米亚应该像汉族传统文化里受辱的女孩一样去寻死觅活的，难道他希望索米亚放弃现在的生活去报仇或去自杀，他才觉得正常?

　　由于白音宝力格看到的是索米亚基本能正常的生活，而且似乎不很在意受辱的事实，也不去恨侮辱她的恶棍，而是更在意自己孩子。wWW.330011.com他觉得这和自己所认同的正统文化格格不入，于是他开始怀疑索米亚对他的爱情，他觉得他的这种正统汉文化思想不能被接受和认同，他感到痛苦，他又内心很脆弱，忍受不了这种痛苦，于是他就离家出走了。

　　要我说这位白音宝力格，真是自私和虚伪。索米亚受辱怀孕的时候，他就会想起汉文明的女德，觉得索米亚最好以死明志;但当他到了外面，长期不回家看看奶奶的时候，他怎么就不想起汉文明的孝道呢?有选择性地去信仰，也有选择性地去故意遗忘和忽略!他只是觉得哪种文化对自己有用，就用那种文化为自己的借口和思想。他以追求汉文明或者所谓的理想文明为借口，其实只是掩盖自己懦弱、狭隘、无知浅薄、自私和虚伪。无论如何都掩盖不了他的内心的猥琐、忘恩负义和薄凉!

　　像他们这种年少时的感情，当时是纯真和美好，但也由于当时太年轻太理想化太想当然太向往所谓的精神完美，这样的感情也同样脆弱和不经一击。

　　我真的希望索米亚在经历这一切之后，应该能看得清这位白音宝力格到底是不是一个值得托付终身的人。我希望索米亚能明白，就算当时白音宝力格留下，他们在一起也不会幸福的。因为这位白音宝力格，只是一个会用道德虚伪美化自己的懦弱、自私和性情薄凉的人，根本无法托付终身。白音宝力格就算当时没离开，以后也会离开的!他们本来就无缘，一个自私虚伪，一个纯真美丽坚强，他们如果真的结合了那才不会美满呢!就算他们当初结婚了，白音宝力格慢慢也会觉得索米亚虽然纯真善良但愚昧无知迷信庸俗;索米亚虽然不会有这么多想法，但一定也无法明白为何白音宝力格会动不动就痛苦忧愁，一定会觉得白音宝力格嫌弃她被人侮辱过，也一定会常常痛苦，日子也不会好过。

　　对白音宝力格，我没什么好说的，自私虚伪，只看重自己的感受，不负责任!

　　我只希望索米亚不要再为这段凄美的感情而痛苦，好好的过自己的日子，照顾好其其格，让其其格不要承受太多的痛苦和压力，让其其格能快乐的生长。因为，其实这里最可怜的就是其其格了，她还是个孩子却要承受这么多的痛苦。她脆弱的心灵一定受过很多伤害，希望上天厚待她!

　　《黑骏马》读后感1000字

　　读完《黑骏马》，我在第一时间把“黑骏马”这个意象作为一个命运的象征，无论是在那首古老的民歌中，还是在小说淒美的悲剧里，黑骏马都是一个不动声色却贯穿了全篇的特殊存在，就好像时刻好奇而不声张地注视着我们的命运一样。从这个角度解释，也似乎能把白音宝力格作为一个经历者，喻示着一个同他一样的挣扎于现实的泥潭、痛苦追忆年轻时理想化的生活化的人群。文章的主题，也大概能向“对命运的把握”那一方向靠拢。

　　但在细细品味文章中时刻体现出的一种古典美，一种苍凉博大而热血浸染的对于草原的深刻把握后，就能发现这篇文章决不能轻易上升到生存与生活的高度来谈，而必须融入作者描写的每一根湿漉漉的鲜草，每一缕灿烂的阳光，每一座厚实的蒙古包中去。作者十二年在内蒙古插队的经历，使这部作品的背景与同时代的其它作家相比较更为伟大而厚重，这是“草原”这个神奇的名词赋予的。同样是谈社会、生活、命运，草原让人看到牧民之间的直爽豪放与坦诚相待，能将一种信仰的神圣感贯彻到生活在这片土地上的人们心中，能用一抹永恒的、古老而深邃的绿色涂在灰暗的命运之上。

　　怀着对草原的崇敬与思考把书又读了一遍，发现又找到一些新的关键词，比如“生命”。“生命”是宝贵的，这话谁都说得，但当你看到白发的老人颤巍巍地用袖子擦拭新生的马驹，当你看到母亲默默背着瘦小的婴儿慢慢地走着，当你看到孤独的背影单膝跪在天葬场时，生命的价值仿佛在瞬间就浸入骨髓中去了。我想，生命中最美丽的一刻，就是它让另一个生命激起波澜的那一刹那。此时的两个生命都带着圣洁的光环，被腾格里(蒙语中的“天神”)注视着，从这一刻开始，一个生命被赋予全新的意义，就好像接过了另一个生命递不定式的神秘之钥，它要用这把钥匙开启一段崭新的生活。

　　也许正是这把钥匙给了草原上的女性活下去的勇气。牧民们虽然纯朴，但也愚昧，他们不懂得珍惜自己的另一半。但生育是必然的，于是草原上的女性，就用一个新生命的诞生，来宣告自身的成熟和飞越。在男人们出去征战、放牧的时候，女人们把自己的心血毫无保留地投入到另外一个生命当中。就是这种母性的力量，带给了母亲们新的希望和开始，并代代累积，成为草原上与金戈铁马之声相匹敌的人性的长啸。

　　这美好的啸声，该是草原精神的一部分。它纯洁的几乎不含一点杂质，甚至不光对自己的骨肉，对其它的生灵也关爱呵护至极。这是包含了人道主义与悲悯心的呼啸，它在今天，大概随着游牧民族和草原的一点点消失，也开始淡薄了。但如今我从这本书中再一次读到了它，我将沐浴一下心灵，迎接这呼啸声的洗礼。

　　黑骏马英文后感2000字

　　“Animals deserve our kindness, sympathy and understanding,” that is what Anna Sewell-the author of Black Beauty-wanted to convince her readers. Thanks to Sewell, I now think about the animal-human relationship from both the human and the animal’s point of view.

　　The inspiration for Anna Sewell’s novel was drawn from her own relationship with horses. Anna Sewell was born on March 20th, 1820 in Norfolk, England and was crippled while still very young. Due to her disability, she relied on horse-drawn carriages and grew to love horses as a result. She also became appalled by the careless and cruel treatment horses often received from humans and determined to write a book.. In the second year of work on the book, she was told that she had only eighteen months to live, but she persevered in order “to induce kindness, sympathy and an understanding [of the ] treatment of horses.” Five years later, she was still working on Black Beauty, her only book. Unfortunately, Sewell died a few months after publication and never learned of the book’s huge success. Black Beauty formed an impassioned plea for animal rights at a time when such a notion had been dismissed as ridiculous.

　　The novel portrayed the real condition of working horses living in Britain during the Victorian Era. In that time period, the wealthy thought that their horses were treated well because they never stepped into the stable. In order to call people’s attention to horses’ hard life, Sewell tells the story through the first-person narrative voice of a horse. This innovative personification of an animal made the book a real success. Readers heard the stories straight from the horse’s mouth, literally, as an animal spoke of extremes of joy and suffering. People were shocked by the truth exposed by the novel and changed their attitudes towards animals.

　　Sewell formed the novel with three kinds of characters: Black Beauty, Ginger and other farm animals. Through their different experiences, I saw similarly painful lives led by the animals. This method made the earnest appeal for animal rights become more and more persuasive.

　　As a domestic animal, Black Beauty was continuously sold from one family to another. Over the years Beauty enjoyed good masters but also endured mean ones. Sometimes, he was cared for and at other times tortured. In the end, everything turns out all right in a story that is so tender and yet meaningful. His story was so vivid that caught the readers’ heart. The novel brought people laughter and tears and also enlightened them to understand animals at the same time.

　　Animals cannot speak so understanding is significant to them. Once, for example, Beauty was drawing the carriage to a wooden bridge. The bridge was flooded out in the river and John, the groom, was not aware that it was cracked. But the quickly realized that something was wrong because of Beauty’s abnormal behavior. Momentarily, a man shouted to them, “Stop! Stop!…The bridge is broken in the middle. If you come across, you’ll fall in the river!” Beauty had saved John. However, if John had not tried to understand what Beauty wanted to tell him, there would definitely have been an accident. I learnt from the story that understanding animals is not only essential to them but is also beneficial to us ourselves.

　　In order to emphasize the importance of understanding animals, the writer created Ginger as a negative example. Ginger was the friend of Beauty who led a much more miserable life than Beauty did. Once she told Beauty: “When I was trained, several men caught me in a corner of the field and one held my nose so hard that I could only just breathe. Then others pulled my mouth open to put the bit in, and I was pulled along and beaten from behind. They didn’t give me a chance to understand what they wanted.”

　　Poor Ginger, kindness was all she needed. She was frightened seriously so she bit or kicked to defend any possible attacks. The more she was whipped the more she bit, the more she bit the more she was whipped. In this way, both animals and humans were trapped in a terrible cycle made by human beings. Consequently, humans were frequently hurt by frightened horses. The author thus portrayed Ginger to tell me that harming animals may also harm us.

　　When I have a sketchy look at other farm animals the writer depicts, it is simple to find more examples of cruel things humans do to animals out of ignorance. This part of the novel expanded people’s scope from only horses to all the animals and deepened the plea for animal rights and that made the novel more successful.

　　Sir Oliver, the old horse, had a 20-centimeter-long tail. His beautiful long tail was cut off just because the owners thought it was fashionable. Humans never understood how pained a horse is when he can’t brush flies off his sides and back legs.

　　Sky, the terrier, had had a part of her ears sheared off. Her owners wanted to make her look cute and ignored that parts of her ears were intended to protect the delicate parts from injury. “Why don’t people cut their own children ‘s ears to make them look lovely?” Asked the poor dog angrily. Yes, why can’t we think from the animals’ perspective?

　　“Black Beauty is a heartbreaking story,” I thought when my mother read it to me when I was a child. As a child I was haunted by the described cruelty to those horses. Now I deeply hope, in the future, we will be able to tell our children that because of the book, and others like it, such mistreatment of animals no longer exists. And they just need to enjoy the novel as a beautiful historical documentary recording the progress of upholding animal rights. At that time, the dream of the author will have come true and her hard work will have been rewarded.